I scouted out for days before
I felt it safe to approach them,
In the back alleys playing quarters
The monkeyshines gather, they’ve
Got a sharp eye now, but we
Agreed to meet further: next
Tuesday toward lunchtime
At the County Museum, Rops exhibit
She never goes there,
We agreed on our system, slid
Off on our way. Today's Tuesday,
I lingered in front of the etchings
But met no one. Coming home a note
Was pinned to the door. Decoding
it took hours. A flash of
Red at the window—was there,
Or was it, was gone. Finally--
"she’s getting too close."
I would tell you more about Calamity, but I've become unsure which one of us is
invented; at the start I could pick among a stack of tales: this one here and this one here
and this one here and launch off straight but lately, the moon has gotten strained by
bumps and squiggles, there's a halo round the lampposts, and I've begun to think that
between here and Santa Fe there may be a little bit of Iowa. Like the devil or a chocolate bar,
she has few salient features but set down on paper here she seemed for a time at least
to stick a sort of shape, agreed upon. The steady tread of a basketball outside my
window, the amoebic reflections of headlights passing over the windows of an apartment
building, the unsettled landscapes of a Krazy Kat cartoon -- these things broke our truce
so that what Calamity did or Calamity didn’t or she thought or she spoke or she will or
she won't has gotten away from me, or maybe it is me, and I would go on but it’s all
a bit much for me and I would like to make it clear: I don’t know what I’m doing.
Adrift in the market stalls
Of afternoon, the tomatoes
In cardboard boxes stacked
Along the curbs, the box
Trucks busy bees making
their stops at one-two-three
impromptu stands of bananas
a quarter, papayas fifty cents
and the buskers outside
the subway entrances, a wok
for the collection basket,
A hat, a newspaper folded
Into a hull, and the coins
Go flipping into palms
Ricochet off concrete
And ricochet off guitar cases
And all these transactions
So tiny, and she says my
New bad habit is paying
For everything with dimes.
The feds were unprepared for Calamity,
100 feet tall and sheathed in titanium.
A cyborg implant under her hat
Enables her to smell the heartbeats
Of each marshal and cop, coppery,
Metallic. Fighters strafe her hair
And when a black helicopter lands
On the back of her hand, a sudden
Shake sends it flying into a blank-
Faced office tower. Targeted laser
Beams shoot out from under her
Eyes and as she marches inexorably
Toward the capital
–O!–
Ladies & Gentlemen,
What's this! Convoyed in by a fleet
Of tanks, attended by jets and by a
Buzzing swarms, it's another Calamity,
Her white armor a top-secret alloy,
Carrying no gun, but a giant kitana,
Come to do battle with evil Calamity,
Now caught in the crosshairs of justice
–O!–
Ladies & Gentlemen,
Masterstroke! Ladies & Gentlemen, allow
Your humble Narrator to break omniscience
And observe, in astonishment, to wonder—
A masterstroke!
Is Author now opposing the two sides
Of her being, man's better angel and its
Petty demon, mano a mano at last,
To duke it out before us, or else, is it
The very bones of civilization she intends
To shift, revealing the desiccation
Of our cultures, now animate and warred
Against by the phantom, Progress? Or else—
–O!–
Ladies & Gentlemen—
Grab a sandwich, get a coke, stay tuned
For the stunning conclusion, and we'll
Be back after this short commercial break!