The pint glasses throw
long shadows across
the bar, chin fizz, and
overhead, a harrier's
thin shadow blanking
out star after star.
They used to use tin
cans set out along
the fence rails; now
they'll take a shot
at darkness, at the
refraction of heat
blowing off the black
stickum of the high-
way. It's a Second
Amendment Nation
out here and the
landscape is dotted
with that punctuation,
a rifle crack and few
words. The silent bluffs
draw a bead right
down on your heart.
Calamity's that same
way; quiet, nothing
but a stare staining
the desert. But when she
she draws iron, she
don't generally miss.
Calipers, pulse, heavy footnoting
of German monographs, they've
done everything but put her
in a particle accelerator, an action
which would almost be sure to
merit the curt description, "Bad idea!"
Her feet do not reach the floor
but scientists don't turn up their
noses at small packages. The
transcription factor of disaster.
Hands folded in her lap, watching
the slides show the banister
curve of her constituent proteins.
They look like anyone else's and
that's the most surprising thing,
that and what her discoverer
said upon realizing what he'd done.
Such a shocking cliche. As she
looks at the audience through
the spotlight, her mouth turns
upward into a smile under her
flat-brushed hair. One listener,
a Professor B, looks on, mouthing
I that is not I, no I
at all, but she in all
her deserty cool, the
chill when night falls
over level sand and
rattlesnakes whisper
under the stars'
lucite teardrops. Far
from any ocean,
coast or storm
front, without peril
of nor'easters,
though dust devils
kick up what fuss
they may, while I
incubate big boats
of sleep, of idleness
of plain chores
and waving, she
rides and walks
and fights, and
what's more, she
does my fighting
for me.
In Which the Narrator Tries to Explain Her Antipathy
The sailors cry to you from the jetties.
You can only pretend to be out of range,
Pretend the wind blows their words
away, as the shrimp trawlers,
racing the sunset, trail back into port.
Scent of ammonia, scuffed terrazzo
and the awkward body of tears.
These and a thousand other humiliations
would all be revenged
by the same girl in a different hat.
Have you ever been scared by a dream?
What your mind sews up from boredom,
land mass excised and stitched to
the endless border of sea, you will
someday come to resent.
Boredom and spite created her,
the same will destroy her. I built
her from frustration, like a shadow,
projected larger than life
on my living room wall.
Her hat rumbles in the corridors
and crinkles of my brain, synaptic
stretch, cancerous fantasy. I
tell myself, when I wake up,
the storm will be over, the sea
Backdrop for Calamity, Part 52, Calamity's Beachside Motel
Painted aqua, doors no thicker than cardboard.
There was a spectacular series of rapes here
in the sixties. Now the front desk, draped against
a series of cubbies and matching brass keys
dissolves in the sound of the world's loudest
air conditioner. Passing cars make a dim thunk
against an uneven piece of asphalt, and the ice
machine leaks over broken bottleglass tucked
in the corners. Out in front, a local crazy named
Arthur takes filmless snapshots of passing
traffic, his flashbulb popping out into the dusk.
Eyeing him against a backdrop of vacant lot
and an abandoned fire engine, the clerk harrumphs,
"That guy is like a unicorn, man. You can
never find him when you need him."